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From dallasobserver.com
Originally published by Dallas Observer Aug 09, 2001
©2005 New Times, Inc. All rights reserved.
Shoal Shocked
The Lighthouse doesn't quite work
BY MARK STUERTZ
Stephen P. Karlisch
It's not hard to stare across the turbid ripples of Lake
Ray Hubbard and imagine romance. Lake Ray Hubbard spans 22,745
acres, so it looks like an ocean through a slightly sozzled
night squint. And though Lake Ray reaches a maximum depth
of only 40 feet, there is still plenty of room to wheeze amorous
submarine metaphors into your martini.
Glistening lights on the other side of the lake add
to the idyllic imagery, twinkling like faraway ships, or maybe
nearby bass boats. The Lighthouse's bar and lounge is called
Club She. Perhaps this name just reinforces the hovering aquatic
mystery. In one of the Lighthouse rooms, in the corner of
the ceiling, hangs a mermaid who appears to be lunging into
the dining room from a potted fern.
Our Club She cocktail waitress is a woman of stature,
just slightly under 6-foot-3, she says. I wonder how she feels
about wearing the tiny black velvet hot pants of the Club
She cocktail uniform. Maybe a little like GI Joe in one of
Barbie's camisoles.
The band at Club She is tight, even if it is only a
two-piece. They call themselves Southpaw and Saxman. Saxman
is a burly bearded fellow in a coat and tie who wanders around
the cocktail tables sweating and blowing into a soprano saxophone.
Southpaw looks more like an aging Allman brother. He's dressed
in a white shirt with a few buttons unfastened. He has the
kind of mustache that looks like it needs to be raked after
a hearty meal. He stands in front of a Korg keyboard and strums
a white guitar. In between strums, he hits a note or two on
the keyboard to sketch out a bass line. Southpaw sings, too.
He has a very good voice.
Southpaw and Saxman play a whole range of favorites:
from Kenny G, to Derek and the Dominoes, to Tony Bennett's
I Left My Heart in San Francisco.
It turns out the latter number is apropos. The Lighthouse
bills itself as an Old San Francisco-style restaurant. The
Lighthouse has lots of gleaming wood paneling, and the servers
wear tuxedo shirts and black pants. Around their necks hang
untied black bow ties. I wonder why this is. I don't recall
seeing this type of paneling or attire in San Francisco. The
Lighthouse has a couple of big fish tanks in the dining room
with cichlids and other assorted tropical fish. Yet I don't
remember many restaurant fish tanks in San Francisco either.
But San Francisco does have a lighthouse or two perched above
dangerous shoals in the bay, so maybe this is the connection.
The music in the dining room isn't as memorable as
the Southpaw-Saxman variety. It's the kind of music they used
to put in elevators before they discovered that mirrors were
better for passenger morale than string arrangements of Cheap
Trick tunes. The piped-in music is mostly from movies and
plays: the theme from Evita and "Sixteen Going on Seventeen"
from The Sound of Music. The latter is especially fitting,
as most of the servers seem plucked from that age bracket.
Which isn't to say they aren't attentive or enthusiastic
or polite. They are all of these things and then some. It's
just that...well, take wine service for instance.
We order a bottle of Echelon Pinot Noir. Our very enthusiastic
and attentive server returns to our table with a sweating
bottle of Ecco Domani Pinot Grigio. This is an understandable
mistake. Both wines begin with "Ec"--though phonetically
they have as much in common as Lake Ray Hubbard and San Francisco
Bay do--and contain the word "pinot." We restate
our request. The server takes the wine away and returns with
Ecco Domani Merlot. It's the "Ec" that's hanging
him up. We suggest he look for a label that begins with "Ec,"
contains the word pinot and is pasted over a bottle holding
liquid that looks like berry Kool-Aid. This works.
But the meal doesn't, at least not as well as Southpaw
and Saxman work Club She. It starts with the salads. A blond
server positions herself behind us with a tray of three iceberg-lettuce
salads. The iceberg and the beefsteak tomato and onion salad
are the complimentary choices that go along with The Lighthouse's
USDA prime Midwest, grain-fed, aged beef. But only two of
us ordered beef, and none of us ordered iceberg salads. The
server insists that we must have these iceberg salads, and
she begins to place them at the table settings. We insist
there must be some mistake. She walks away with her salads
and a demeanor that could not be described as enthusiastic
or polite. Maybe she's 17 going on 18.
Our first appetizer is escargot, and just as it arrives,
our server adds tiny little forks to our place settings. The
escargot is served on a platter: a heap of portabella mushrooms,
caramelized onions, asparagus tips and snails in a dark brown
demi glace. The snails are not in the shell, so we wonder
why we were given the tiny forks. Then one of my companions
crushes a large piece of shell in his molars. We wonder why
he wasn't using his tiny fork. The sauce resembles a thick
gravy you might ladle on mashed potatoes in a Luby's line.
We wonder about that, too, as this flavoring doesn't seem
to work with snails.
Just then we notice a chef walk by. Our server introduces
him to us as Javier Pérez, the new Lighthouse executive
chef. Our server explains that Pérez was executive
chef at Nicholini's. Indeed, on his chef's coat is embroidered
"Nicholini's" next to his name. We wonder why The
Lighthouse doesn't give him a Lighthouse chef's coat instead
of making him borrow the one from his old job, but we ask
him about the snail sauce instead. Pérez explains the
sauce is a typical wine/veal stock reduction. Then he mumbles
something about gristle and pork fat. We wonder about this,
too.
But our perplexity is diverted when the crab cakes
arrive. After sampling the cakes, we wonder if there are little
knives to go with the little snail forks because these cakes
seemed more like something to spread on crackers than something
to eat with a fork. The Crab cakes came with shoestring potatoes
that looked like potato chips with a waffle pattern. These
were stale. After they take our plate away, we wonder why
no one tried to spread the crab cakes onto the potato chips
to see if that made anything taste better.
The Lighthouse fancies itself a seafood and steakhouse
supper club. But it's mostly a steakhouse. Virgil Block, the
Rowlett businessman who opened The Lighthouse, named the seven
USDA prime Midwest, grain-fed steaks on the menu after his
seven grandchildren. We order a medium Lauren's petite filet
mignon and a medium-rare Brittany's bone-in rib eye. Lauren
arrives well-done, so we send it back. Brittany is a little
overcooked, too, but we decide to work with her. Brittany
has an off, sour taste, which grew to resemble blue cheese
the closer you got to the bone. Very spooky.
The seafood wasn't named after anyone. This didn't
help much. Mixed seafood grill had sea bass, salmon and jumbo
shrimp. We doubted any of these items kissed a grill, although
they very well could have necked with microwaves. There were
no singe marks, and the fish textures were spongy and mushy.
The shrimp was dry and rubbery. A tail was catapulted across
the table and disappeared into the supper club darkness when
we tried to cut it with a fork. We never found it. We wonder
if anyone else did.
Herb-crusted sea bass arrived with Alaskan crab claws
on a bed of garlic-whipped potatoes, spinach and mango chutney.
It was hard to tell what was what. The fish resembled the
potatoes, and the chutney resembled the fish in its garlic-whipped
potato mimicry. The fish was spongy and soggy. The crab claws
were mealy and overcooked. Someone at our table wondered why
they didn't just serve fish out of Lake Ray Hubbard. Then
someone else at our table mentioned offal and storm drains.
We didn't need to order dessert, because Lauren arrived
just as our plates were cleared. We all took pieces of Lauren,
savoring her perfect medium hue and the bitter grill singe
covering her surface. After devouring Lauren, we were too
bewildered to try The Lighthouse apple crunch.
So we go back to Club She. We order Echelon Pinot Noir
by the glass just to see what we get. We wonder if Southpaw
and Saxman can cook, too.
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